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SOMEWHERE BETWEEN A DOCUMENTARY FILM AND A COMPUTER GAME
Turečková, Kateřina ; Kratochvíl, Jaroslav (advisor) ; BENDOVÁ, Helena (referee)
This bachelor thesis deals with the creative process of a documentary titled Ilusion authored by director Kateřina Turečková. The form of the documentary emulates the aesthetics of computer games. In the first part it clarifies the motivation of the author to make this sort of movie, then it goes through the documentary movie art form and analyzes also computer games.
Subsequently it describes the proces of creation of individual scenes of Ilusion and the whole finished version of the movie.
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Documentary piece 2.0 and its dominant features regarding the viewer
Tichá, Zuzana ; KOPECKÝ, Lubor (advisor) ; VLACH, Jiří (referee)
This thesis deals with documentary pieces 2.0
Its first and second part specifies the role of this term in the context of modern documentary formats, which are gaining in popularity lately but less so for theorization. The subject of the first part of this paper is to explain what the term documentary piece 2.0 actually means, to describe the principles upon which it works and in what ways it is possible to divide it.
The third part analyzes the dominant features of documentary pieces 2.0 and demonstrates them with specific examples of projects. Features which this thesis describes are: mosaic arrangement, collage concept, the possibility of exploration, investigative approach, subjective view and viewer usage data.
The aim is therefore to specify dominant features, which documentary pieces 2.0 carry within themselves, and to describe through them how does this whole modern production works with the audience.
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New Forms of documentary in the Internet
Beranová, Kamila ; Štoll, Martin (advisor) ; Křemen, Pavel (referee)
The Bachelor thesis "New Forms of documentary in the Internet" deals with an interactive web documentary, which was emerged as a new form of documentary work by linking documentary film and the Internet. On the three interactive web documents are applied analysis of narrative structure and analysis of formal elements that specify how these new documentary forms tell the story, how the presence of interactivity is manifested, and how it differs from traditional documentary film. In the theoretical part of the thesis basic terms of documentary, interactivity and narrative structure of interactive projects are introduced. The practical part contains the mentioned analyzes, evaluation and also comparison of the results of the analyzes which prove the different nature and functioning of the selected interactive projects. This work demonstrates their new characteristics and typology, proving that the Internet is developing documentary work not in one but in several directions.
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Film Cooperative, Version 2.0: Searching for the Form
Reichová, Tereza ; Felcman, Jakub (advisor) ; KUBICA, Petr (referee)
This thesis with the sumptuous working title Film Cooperative, Version 2.0 is the result of my two-year background research for the purpose of establishing a cooperative entity. I proceed from the generally positive perception of present cooperativism abroad but I apply my research on the specific situation in the Czech Republic. Although it is marked by a rich cooperative history during the so called “First Republic,” the current approach to the cooperativist model is rather negative particularly due to the adverse role that collectivization played in the second half of the 20th century.
Therefore I focus on cases from the Czech context, both from the past and present. Since film cooperativism has not yet taken roots in our country, we would be its pioneers. In my work I therefore look for past and present models from other sectors that could help stimulate it. I conclude my thesis by inspiration from alternative models of thinking about the world where finance is not the driving model but a carrier into a better world.
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THE IMAGE OF DISSIDENT IN CZECH DOCUMENTARY FILM AFTER 1989
Kohout, Martin ; VACHEK, Karel (advisor) ; HENDRICH, Vladimír (referee)
The work is attempting to describe the mental image of a dissident, the way it was most oftenly interpreted in the post Velvet revolution period films known to the public or regularly shown on the televion screens. For this purpose was chosen 53 films, which were devided according to their general interpretation and impression. I followed with an analyzation of the montage and bulding elements, that are used in these films, most oftenly shaping the opinion of the general public. The interpretations and contents of these films were compared to the results of the social-sientific research on the nature of normalization period and the dissent. Also these generally popular films were compared with the works standing outside of the mainstream documentary film, about the topic of dissent or previous regime in general.
This theses is therefore refering to the problems of interpretation of the previous regime, normalization and the role of dissent in czech society.
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IDFF Jihlava and One World: Documentary Film Festivals in Czech Republic.
Bijedičová, Andrea ; Hanzlík, Jan (advisor) ; Hucková, Barbara (referee)
Power of the documentary production consists in its ability of reflecting the reality and informing the audience about the actual events or people and their real life stories. This thesis in dedicated to embody the documentary film to the context of film festivals in the Czech Republic in the last 20 years using MFDF Jihlava and Jeden svět as examples. The theoretical part is focused on the ethical questions, next on political, social and human-right themes, as well as on producing a network of film festivals and their development. The practical part is concerned with the dramaturgy of the festivals and with the comparison of the thematic specialization or dramaturgy.
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